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{"id":4820,"date":"2024-03-10T23:22:45","date_gmt":"2024-03-10T15:22:45","guid":{"rendered":"http:\/\/www.jujuwang.art\/?p=4820"},"modified":"2024-03-10T23:22:46","modified_gmt":"2024-03-10T15:22:46","slug":"an-exhibition-that-makes-shanghais-old-foreign-style-houses-grow-wildly","status":"publish","type":"post","link":"https:\/\/www.jujuwang.art\/an-exhibition-that-makes-shanghais-old-foreign-style-houses-grow-wildly\/","title":{"rendered":"An exhibition that makes Shanghai\u2019s old foreign-style houses \u201cgrow wildly\u201d"},"content":{"rendered":"\n
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It\u2019s not just the vines that are growing wildly, there are also exhibits.<\/strong><\/p>\n\n\n\n

Walking along the path next to the sycamore tree towards No. 5 Yongfeng Village, a century-old bungalow is wrapping up an exhibition called “Overgrown”. As Chris, the space manager and the curator of this exhibition, said: “All The artworks grow wildly and unrestrainedly in the space.” This is also the theme that the exhibition hopes to convey.<\/p>\n\n\n\n

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The exhibition begins on the second floor of the bungalow. As you climb up the stairs, you enter this world hidden outside the bustling city.\u00a0The walls of the entire space are basically kept entirely white, against which the old wooden furniture glows with a warm luster.\u00a0Home designs from long ago, such as fireplaces and tiles, are well preserved here, and the original layout of the living room, kitchen, and study are also clearly visible.\u00a0After Chris Shao returned from New York, he immediately decided on this place as the office and exhibition hall of his studio Objective. \u201cObjective means object, goal, and objectivity. These three elements are what I want to express. I want to present Something tangible.\u201d<\/strong><\/p>\n\n\n\n

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Installation artist Juju Wang at the “Overgrown” exhibition, next to her art works “BOW” and “Split Second”.\u00a0Known as an interactive magician in the art world, she likes to extract creative inspiration from traditional culture and combine it with contemporary art methods for artistic expression.\u00a0Emphasizing the interactive experience between the work itself and people, thus bringing about a harmonious relationship between the work itself, outside observers, and process participants, and the pleasant experience brought by this creation itself, the gene of happiness and freedom becomes artistic aesthetics interesting dimensions.<\/p>\n\n\n\n

01<\/p>\n\n\n\n

Dossier Wallpaper\uff0aabbreviation W<\/strong><\/p>\n\n\n\n

Juju Wang abbreviated as Juju<\/strong><\/p>\n\n\n\n

W: Please introduce the works you brought this time!<\/strong><\/p>\n\n\n\n

Juju: brought installation art works in the “Overgrown” exhibition.\u00a0The work “BOW” fills the loft without affecting the structure, but complements the architectural space, making the building itself a second important transmitter of information.\u00a0<\/strong>\u201cBOW\u201d exists in an almost claustrophobic space with an impressive presence.\u00a0The bow is a symbol of innocence, and when it takes on a giant form, it symbolizes the escape and exploration we need, it represents the immense curiosity that needs to transcend our own limitations.\u00a0The moment one observes and understands oneself is the moment one is liberated.<\/p>\n\n\n\n

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